A young mother's life is upended when she finds herself hiding behind a secret identity to escape the Bucharest gang responsible for her fiancé's death.
Stolen by crusaders on the night of his birth, Radu (Anders Hove) has no knowledge of his bloodline: his mother is a demon; his father is a vampire. Trained and exploited by a brotherhood of mystic monks to slay all enemies of the church, fate brings him back one night to the castle of his father, armed with the monster-slaying Sword of Laertes, to destroy the vampire Vladislas and reclaim a holy relic: The Bloodstone. The events of that night turn Radu from a noble man into a vampire with no master, setting him on a centuries-long quest for sustenance, and companionship, for the treacherous one who stole him from the sun, and for the Bloodstone he hopes will bring him peace.
Without warning a father comes to visit his daughter abroad. He believes that she lost her humor and therefore surprises her with a rampage of jokes.
A humble Romanian actor in his 40's, hardly surviving between a complicated part in a musical, a depressed wife, and the obsession of an imminent, devastating earthquake, becomes the victim of his manipulative father.
In late eighties, in Ceausescu's Romania, a black market VHS bootlegger and a courageous female translator brought the magic of Western films to the Romanian people and sowed the seeds of a revolution.
Fortunes of War is a 1987 BBC television adaptation of Olivia Manning's cycle of novels Fortunes of War. It stars Kenneth Branagh as Guy Pringle, lecturer in English Literature in Bucharest during the early part of the Second World War, and Emma Thompson as his wife Harriet. Other cast members included Ronald Pickup, Robert Stephens, Alan Bennett, Philip Madoc and Rupert Graves. The series stays relatively faithful to the original novels, with no notable departures from their plot.
Present day Bucharest. Estera is pursuing a job opportunity in Atlanta. She puts her hope in a "friend-interview" with Mike, a Romanian-American entrepreneur who reveals himself to be a domineering wreck with issues of his own.
A director with two weeks left on his latest production fakes an ulcer to pursue a romance with his lead actress.
Delia, a young Romanian girl, comes to Bucharest with her parents to collect a prize she has won in a contest organized by a soft-drinks company. The prize is a beautiful new car. All Delia has to do now is appear in front of the camera in a commercial. All goes well until it becomes clear that Delia and her parents have very different ideas about what to do with the new car. Meanwhile, the contest's sponsor needs a radiant prize-winner with a gleaming smile. A wicked satire and a psychological portrait of a society perverted by its slavery to capitalism and consumerism
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