Before the Big Ban on prostitution, West Hong Kong is famous for its houses of pleasure. The most infamous of them all is Floral Ode House. Among its girls are Yen Hung, who becomes a widow regularly; aristocratic Chien Chien; Cherry Fun, who manages to lose the nickname; and a bevy of beauties. The madam who is on good terms with the police chief claims the best business this side of virtue. Then there comes from England Cheng Li-Peng, commissioned to ban prostitution. He is engaged to Lily, the police chief's daughter. But his parents had arranged a wife for him when he was an infant. They have lost trace of each other. Cheng Li-Peng starts his investigation, which lead him to Yen Hung's and Chien Chien's bedrooms. He is surprised to find himself in love with all three girls. And one of them turns out to be his missing fiancee!
What happens when a glamorous express, with high government officials, wealthy merchants, concubines and a gang of brigands on board, speeds towards the small town of Hanshui, where escaping bank robbers, corrupt officials, and gamblers await? Well, let's just say the Titanic had a smoother maiden voyage.
During the late Eastern Han dynasty, warlords fought for power and control, and Cao Cao held the Emperor captive as a means of controlling other lords. Zhuge Liang, a talented scholar, lived through this turbulent period, but did not prioritize fame and wealth. He was asked to help rescue a monastery from disaster and discovered that there were people within the monastery who were collaborating with the Yellow Turban rebels to kidnap young boys and girls. While assisting a kidnapped girl in finding her family, Zhuge Liang met Xiao Qiao from the Eastern Wu empire, and they fell in love despite her earlier engagement to Zhou Yu. Their love was complicated by these circumstances. Meanwhile, Liu Qi, Zhuge Liang's friend, was determined to contact other like-minded figures to rebel against Cao Cao and to kill him. Upon learning of a secret decree from the Emperor, Liu Qi and Zhuge Liang joined forces to plan their next move.
This film is a Hong Kong version of the British Carry On films, this one specifically set in a hospital. The hospital is full of inept people, so Miss Kuk (Meg Lam) vows to the board that she will reform it. This involves the recruitment of student nurses, keeping in check some silly interns and dealing with Dr. Chen, whose wife just left him.
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