Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.
An omnibus-style youth drama consisting of 4 episodes. Five girls who go to high school near Tokyo. Mio who meets the homeless in Shibuya at night, Akira who had hidden her best friend's happiness, Kaori who loved her teacher...
While combing through the belongings of his recently deceased aunt, Matsuko, nephew Sho pieces together the crucial events that sank Matsuko's life into a despairing tragedy.
On her 18th birthday, Nami witnesses the brutal murder of her parents by a man with a burn on his hand. She is then falsely accused of the crime and sent to jail. Sworn to vengeance, Nami battles corrupt officials and cruel inmates to escape prison, only to search through the underbelly of Japanese society to find the man with a burn on his hand, ‘stinging’ anyone in her way.
A tokusatsu series made by Toho and Capcom that borrows aspects from Bio Booster Armor Guyver and Fist of the North Star.
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