Thanks to the development of techniques and the adventurous spirit of pioneering filmmakers, among whom Michel Brault occupies a central place, a new way of making cinema was born at the turn of the 1950s and 1960s. This film relevantly retraces the history of a collective movement which revolutionized production and filming methods in Quebec and the world.
Wolf Koenig (October 17, 1927 – June 26, 2014) was a Canadian film director, producer, animator, cinematographer, and a pioneer in Direct Cinema at the National Film Board of Canada. Born in Dresden, Germany, Koenig emigrated to Canada with his family in 1937, when they fled Nazi Germany. They settled in 145-acre (0.59 km2) farm along the Grand River, outside what is now known as Cambridge, Ontario. In 1948, a local representative for the Canadian department of agriculture needed the family's tractor to demonstrate a new tree-planting machine. As the young Koenig pulled the machine across a field, he noticed a small film crew from the NFB's former agricultural film unit, recording the demonstration. After filming was complete, he approached the men, who included director Raymond Garceau, and told them he loved films, especially animation, and hoped to work in filmmaking. They suggested he send in a job application and approximately six weeks later he received a letter offering him the position of a junior splicer for $100 per month. His younger brother Joe Koenig was also a filmmaker.
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