In the mid-1980s, the GAL, a Spanish paramilitary group, pursues and assassinates members of the terrorist gang ETA who have taken refuge in the sanctuary they have created in the south of France. Grégoire Fortin, advisor to the French Minister of Justice, and Domingo 'Txomin' Iturbe, leader of ETA, are forced to negotiate in order to find a solution to the violence that plagues the region.
After studying in Paris, the young doctor François moves to Beauval, where single-family houses are lined up monotonously. He quickly becomes the focus of a group of young people, led by the charismatic Cédric and Matthieu, his assistant. The gang tries to escape their boredom with dangerous games at the edge of the forest. But things become bitterly serious when the body of a twelve-year-old girl is found and François is suspected.
Mathieu, a piano virtuoso, goes home to help his brother Paul to take care of their sick mother. Paul is into reenacting old battles, dressing up and getting into character, even dueling if necessary. Mathieu gets involved in this world and play becomes real.
Bruno, a communist newspaper journalist, is suffering a mid-life crisis. Torn between his wife Gaëlle and his young girlfriend Nathalie, his political beliefs battered by the wind of history, Bruno seems to have lost his bearings.
A young woman who has gone over to the wrong side of the law with her new boyfriend begins having second thoughts about both crime and her new romance in this drama. Helene is an attractive 18-year-old who has fallen for Paul, a 25-year-old drifter, and one evening as they're having drinks in a cafe in the North of France, Paul decides to rob the bank across the street. Though wary, Helene agrees to help, and soon the couple is 40,000 francs richer -- and on the run from the law. The two hop a train to Marseilles, but it isn't long before Helene begins to think the robbery was a bad idea -- and isn't certain if her relationship with Paul is such a good thing either. Paul, however, isn't troubled by any second thoughts, and is very certain about his feelings for Helene -- so much so that he forces a priest to marry them at gunpoint. This is only the most recent manifestation of Paul's volatile personality, and rather than binding Helene closer to him, it only drives her farther away.
Vincent and Olivier have an intense, rocky relationship: Vincent evades tenderness, just as he does desire, forcing the couple to hunt for a third partner to participate in their sexual games. Olivier has a background in the theater. He believes in, but is preoccupied by their relationship; he wants to free Vincent from the ghosts haunting him. But Vincent is locked into the past. His father, a pilot, was killed in a plane accident. Vincent’s job is a strange, uncommon one that plunges him deep into contemplation from which no one can make him budge: he deciphers plane disaster recordings. Vincent’s unconscious repression is so powerful that he hasn’t even recognized the link between his father’s death and his work. It will take the stormy encounter with Olivier for Vincent to obtain his ‘black box.’ Indeed, the two young men come to life through their connection with each other, a connection which shatters the framework of typical love stories.
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