In one of Stuart Hall's most famous lectures, Hall speaks with dazzling precision about the responsibilities of intellectuals in the face of undemocratic structures of power, injustice, racism, and inequality.
Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.
When the world-renowned cultural and political theorist Stuart Hall died in 2014, he left behind an unfinished 300,000-word memoir. In this interview with MEF Executive Director Sut Jhally, Bill Schwarz talks about the challenges of preparing the final published book, detailing his negotiations and conversations with the disembodied words of an author who cherished dialogue above all else.
Through juxtaposing and layering archival footage with text, music and photographs, The Unfinished Conversation crosses the memory landscape of Stuart Hall, the Jamaican-born British cultural theorist, to reflect on the nature and complexities of memory and identity.
A person’s culture is something that is often described as fixed or defined and rooted in a particular region, nation, or state. Stuart Hall, one of the most preeminent intellectuals on the Left in Britain, updates this definition as he eloquently theorizes that cultural identity is fluid—always morphing and stretching toward possibility but also constantly experiencing nostalgia for a past that can never be revisited.
Jamaican-born Stuart Hall looks at the history of the Caribbean islands through interviews with modern inhabitants.
Jamaican-born Stuart Hall looks at the history of the Caribbean islands through interviews with modern inhabitants.
A black and white, fantasy-like recreation of high-society gay men during the Harlem Renaissance, with archival footage and photographs intercut with a story. A wake is going on, with mourners gathered around a coffin. Downstairs is an elegant bar where tuxedoed men dance and talk. One of them has a dream in which he comes upon Beauty, who seems to reject him, although when he awakes, Beauty is sleeping beside him. His story and his visits to the jazz and dance club are framed by voices reading from the poetry and essays of Hughes and others. The text is rarely explicit, but the freedom of gay Black men in the 1920s in Harlem is suggested and celebrated visually.
Stuart Henry McPhail Hall (3 February 1932 – 10 February 2014) was a Jamaican-born British Marxist sociologist, cultural theorist, and political activist. In the 1950s Hall was a founder of the influential New Left Review. At Hoggart's invitation, he joined the Centre for Contemporary Cultural Studies (CCCS) at Birmingham University in 1964. Hall took over from Hoggart as acting director of the CCCS in 1968, became its director in 1972, and remained there until 1979.[3] While at the centre, Hall is credited with playing a role in expanding the scope of cultural studies to deal with race and gender, and with helping to incorporate new ideas derived from the work of French theorists such as Michel Foucault. Hall left the centre in 1979 to become a professor of sociology at the Open University. He was President of the British Sociological Association from 1995 to 1997. He retired from the Open University in 1997. After his death in 2014, Stuart Hall was described as "one of the most influential intellectuals of the last sixty years".
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