Pansy is a woman so full of rage that every interaction she has devolves into lashing out, whether at her utterly cowed husband and son, or random strangers who have the temerity to address her. In contrast, her younger sister Chantelle lives with her two vivacious daughters and plies a successful trade as a hairdresser, putting clients at their ease all day long. Yet beneath Pansy’s abrasive exterior are hints of a more fragile psyche, one motivated by fear and damaged by repressed pain.
Katherine Parr, the sixth wife of King Henry VIII, is named regent while the tyrant battles abroad. When the king returns, increasingly ill and paranoid, Katherine finds herself fighting for her own survival.
Sue is back on the dating scene. She meets a mysterious biker called Ron at her brother's funeral and sparks fly. But when Ron introduces her to her social media-influence son, Anthony, Sue finds herself in an increasingly surreal battle of wills with this ambitious teenager who, despite showing no signs of talent, is convinced his dance troupe 'Electric Destiny' is tipped for stardom. Will she find the purpose and imagination to bring this little unconventional family together for a chance of happiness?
Fresh from a night out at yesterdays wake, 'Rent A Mourner' Charlie turns up to a funeral late, tired, and hungover. Another day at the office. But when the 'mourning' takes an unexpected turn, she must come face to face with a deeply buried secret from the past.
In 1943, two British intelligence officers concoct Operation Mincemeat, wherein their plan to drop a corpse with false papers off the coast of Spain would fool Nazi spies into believing the Allied forces were planning to attack by way of Greece rather than Sicily.
Set in 1980s Britain, we follow Valerie as she films every aspect of her marital life forcing her husband Peter to star in her ongoing obsession. These compromisingly personal videos are sent weekly to another keen videographer in the form of ‘video-letters’ but who is her audience and why is he watching?
The hour before actors go on stage at the National Theatre in London is a performance in and of itself.
A group of women involved in the Women's Liberation Movement hatched a plan to invade the stage and disrupt the live broadcast at the 1970 Miss World competition in London, resulting in overnight fame for the newly-formed organization. When the show resumed, the results caused an uproar and turned the Western ideal of beauty on its head.
A fresh and distinctive take on Charles Dickens’ semi-autobiographical masterpiece, The Personal History of David Copperfield, set in the 1840s, chronicles the life of its iconic title character as he navigates a chaotic world to find his elusive place within it. From his unhappy childhood to the discovery of his gift as a storyteller and writer, David’s journey is by turns hilarious and tragic, but always full of life, colour and humanity.
Ruby Bentall (born 3 April 1988) is an English actress, known for playing Minnie in Lark Rise to Candleford, Mary Bennet in Lost in Austen, and Verity Poldark in the 2015 BBC adaptation of Winston Graham's Poldark novels. Bentall was born at home in Camden, London. She is the daughter of actors Janine Duvitski and Paul Bentall. Bentall's first professional acting job was an episode of Holby City, which she filmed in 2006 while still at Richmond College. Bentall made her stage debut at the National Theatre in 2008, appearing in productions of DNA and The Miracle. She has also lent her voice to the BBC Radio 4 drama Sister Agnes Investigates. From Wikipedia, the free encyclopedia
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