Reader, I think you know who is most quotable. Charlotte Brontë has a confession about how one sister became an idol, and the other became known as the third sister. You know the one. No, not that one. The other, other one… Anne. This is not a story about well-behaved women. This is a story about the power of words. It’s about sisters and sisterhood, love and jealousy, support and competition. Directed by Northern Stage Artistic Director Natalie Ibu (The White Card), Sarah Gordon’s (The Edit) new play is an irreverent retelling of the life and legend of the Brontë sisters, and the story of the sibling power dynamics that shaped their uneven rise to fame. A co-production from National Theatre and Northern Stage
Lisa, after witnessing a cataclysmic event on Platform 7 of a railway station, finds her own fragmented memory jogged to reveal a connection between her own life and that of the event she has just witnessed.
It’s Stockport 1990 and Martin Parker, a man with the ambition of Alan Sugar and the looks of Robert Kilroy Silk is slowly waking up to the fact that things are changing. With a chain of electrical stores, a wife, kids and a flash car, he has the perfect life. But in reality he’s swimming in a sea of debt and lies, and it falls to the two women in his life, Kath and Diane to plot his downfall.
Becca and her sister, Rosaline, have forged ahead with family lives and careers, growing distant through time and circumstance. But when the body of an older woman is discovered at sunrise on Laxey Beach in the Isle of Man, it brings devastating news for the sisters.
Belgian sleuth Hercule Poirot's Egyptian vacation aboard a glamorous river steamer turns into a terrifying search for a murderer when a picture-perfect couple's idyllic honeymoon is tragically cut short.
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