A woman performs Pete Seeger’s “Where Have All the Flowers Gone?” in Russian while Marlene Dietrich’s German version of the song plays in time.
A story about Konstantin Sergeievich Stanislavski, a twentieth-century theatre genius. Owing to his powerful extraordinary talent he managed to stay a true artist and a free spirit within the harsh Soviet system. In the film contemporary theater and film directors (Kirill Serebrennikov, Katie Mitchell, Lev Dodin and others) show how Stanislavski's method affects their everyday work. Each of the directors finds his or her own reflection in the mirror of his genius. In search of an answer to the question whether modern theatre really needs Stanislavski they discover that art lacks its most essential part – the human being.
His motto was laconic: "I promised - stay still." This is how Alexei Balabanov lived, raised his sons, was friends, and so filmed. A legendary director and an extraordinary person who made both "festival" and "mass" films with equal ease. He was a great father and a difficult husband, a loyal friend and an honest guy. Balabanov with his life, passions, losses, burning pain on the way to God in the memories of those closest to him - mother, sons, wife and friends. He seems to be telling the crew again: "Let's do it talentedly!"
An amazing story of tank crewmen who had gone through the war hand in hand and decided to celebrate the great victory in Paris. The friends, who had survived the dreadful experience of war, reached Berlin and set their eyes on a new course in life involving love, breath-taking adventures and their dream town Paris. The movie is based on real events.
In VGIK, she was a student of the workshop of Sergei Gerasimov and Tamara Makarova, and watched Godard's "Last Breath" and thought, nothing more is needed. Everything is already there. But, in the end, without her, without her 22 films, the history of world cinema would be incomplete. In our country, her name has become one of the undisputed geniuses-Tarkovsky, Parajanov, Herman, Sokurov. The brilliant Kira Muratova looks at a person with irony, as if from a distance and from above, as if at a funny puppet theater, but her gaze is full of sympathy. It divides artists into two categories: preachers and gamblers. Of course, he considers himself one of the latter. Chance is her muse. Improvisation is a feature of the method. And what is life but improvisation? In contrast to Rene Clair with his phrase " my film is ready. It remains only to remove it", goes to the set, opening up to life, the game of chance.
The Last Prince of Atlantis is a beautiful fairy tale about love, an animated family movie. The dynamic intrigue, a bright and multidimensional shows keeps the audiences captivated. An old pearl-fisher Bltazar is forced to sell his boat to wealthy man Don Vincenzo. But this is not the worst part. Now Vincenzo wants to take his beautiful daughter Adrianna! The girl is against that, but for how much longer can she resist? Police and gangsters serve Vincenzo... But money and power are nothing when the real love comes around. The Last Prince Of Atlantis appears from the bottom of the sea, where he spent thousands of years in a stone sarcophagus. One day he sees Adrianna in the sea, strikes up looking for her and finds her...
ANGST is a psychological study in the form of a film. An emotionally deeply rooted, yet mentally terrorizing relationship between an empath and a sociopath, serves as a microcosmic example to analyze the inexplicable phenomenon of aeons: LOVE.
A woman admits that she is 300 years old, and yet, she looks incredibly young and attractive. Inspired by Karel Čapek’s play “The Makropulos Affair” for Faberlic.
In a fashionable bar there are two - a teenage girl and a successful businessman, and between them a conversation begins.
Renata Muratovna Litvinova - Soviet and Russian theater and film actress, film director, screenwriter, TV presenter, singer. Honored Artist of the Russian Federation, laureate of the State Prize of Russia, two-time laureate of the open Russian film festival Kinotavr.
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