Bereft of earthly memories, a new arrival in the afterlife struggles to recover the past, in this poetic fantasy that offers a dark reflection on personal atonement in the shadow of Kenya’s violent past. Imagine waking up one day in a barren wasteland. Amnesia leaves you clueless as to your whereabouts, your identity, and how you arrived. A small group of strangers welcomes you to a nearby oasis resort, and they reveal to you the nature of this new reality. You are dead. And this is the afterlife. This is what happens to Kaleche (Nyokabi Gethaiga) in the enigmatic opening sequence of Kati Kati, writer-director Mbithi Masya's poetic first feature film.
A look at the relationship between WikiLeaks founder Julian Assange and his early supporter and eventual colleague Daniel Domscheit-Berg, and how the website's growth and influence led to an irreparable rift between the two friends.
On a dusty soccer pitch in Malindi, Kenya young Kalu is an aggressive striker of the “Malindi Sharks,” who dreams of playing professional soccer. He’s a selfish player and a clear stand out on his team and knows he’s destined for glory. Then one day his life dramatically changes. Kalu gets an offer to play soccer on a second tier team in South Africa on the same day his father is killed in an accident and he unknowingly is exposed to the HIV virus. He makes the decision to go play soccer and send part of his salary back to home to his mother and sister.
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