When his train stops at Draguignan station, Jean-Luc suddenly decides to get off and pay an impromptu visit to his father, who he hasn’t seen in over six years. An answer to "Adieu au langage" by Godard.
A theater actress leaves her show to retire with her sick son to her childhood city.
"Train de vies" crosses a series of characters who, in pairs, confess to each other their innermost desires and their most secret memories.
Laurent is seeking a path in life after living his childhood and teenage years in laziness. He has a conflictual relationship with Rodolphe, his father, and both are too emotional to express their mutual affection. Despite the women of his life hanging around him , Rodolphe has but one obsession: meeting Marguerite again, the first love of his life.
Laurent Achard set up his camera on the set of Paul Vecchiali’s film Le Cancre to capture the director’s creative power. Although Vecchiali’s precision is impressive, Achard also shows moments where his collaborators’ input is essential. Under the director’s eye, the stars are becoming actors again, and Achard revives the heritage of Vecchiali’s '70s and '80s production studio Diagonale.
Odile suspects her husband, Jean, is cheating. Thus she decides to give him a taste of his own medicine. Fate gets her in touch with an actor, Daniel, who she will use for her revenge. The actor, living with a former serviceman, Albert, will make love with her. But there will be unexpected consequences: Odile and Daniel will be bound forever by an irrepressible love.
A young man (hypothesis 1) and a young woman (hypothesis 2) refuse any dinner or other invitations so as to give themselves over to an evening ritual.
On Paul's initiative, Françoise and Paul met after a long separation, on the pretext to search in commun for a lost memory, a song. It soons appears that Paul's objective is to win her back.
Paul Vecchiali (April 28, 1930 - January 18, 2023) was a French filmmaker and author.
By browsing this website, you accept our cookies policy.