Heung Wing has been sensitive to paranormal activity and keeps seeing ghosts since he was a kid. One day, Heung Wing receives news that his mother is in coma after committing suicide, which forces him to return to the old home. Everything seems strange and weird.
From a young age, Mancer had always known that his father Wah is different from other adults; he speaks illogically, he has slow comprehension and he’s quite easily deceived. After growing up, Mancer finally understood that Wah is intellectually disabled. After his mother ran away from home, Mancer was forced to become his father’s primary caregiver. By chance, Mancer joins a stand-up comedy competition for the prize money and becomes instantly hooked. He’s addicted to the joy he feels from making people laugh. However, after the competition, Mancer couldn’t make people laugh again. While searching for inspiration, Mancer realizes that his best jokes seem to come from his hardships – the ridicule he received at school, his difficulties at work, his struggles in caring for his father, and even the worldwide pandemic. Perhaps misery can also be the best source of comedy after all.
A fortune teller fails to help a prostitute who is facing a deadly calamity. When he meets a young boss of a tea restaurant, he predicts that his bloodthirsty tendencies will lead him to a prison sentence for murder.
Three short films about the hidden horrors that lurk behind the urban landscape of Hong Kong.
A seven-part anthology film exploring the history of Hong Kong from the 1940s to present day.
When the Grande Hotel suddenly detected a suspected Covid case, the epidemic prevention center ordered a total blockade. All guests staying in the hotel must accept mandatory quarantine for 14 days. Everyone is isolated in the hotel, and the relationship between people is getting closer unconsciously. Everyone has lived through difficult times together, and learned to cherish what may be the last time to get along with each other.
Teenager Kiki runs away from home, angry at her mother Jane's profession as a back-street abortionist. For her daughter's sake, Jane retires and finds religion, repenting her sins. Months later, Kiki faints on the street and wakes up in hospital with Jane by her side. The last hope for Kiki is that Jane can return to her former profession...
The film is a resonant portrayal of the younger generation in the post-Umbrella Movement era. Two years ago, Ah-man (Ng Wing-sze), an independent yet stubborn university student, left home after a furious argument with her mum when the Umbrella Movement broke out. Now, she undertakes a new kind of lifestyle – a life of a vegetarian and an organic farmer. However, she never stops thinking of the taste from home. With the film's fragmentary narrative style, Ah-man’s story also reflects the ambivalent decisions between family and society of her friends.
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