In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.
Rosie Ming, a young Canadian poet, is invited to perform at a Poetry Festival in Shiraz, Iran, but she’d rather be in Paris. She lives at home with her over-protective Chinese grandparents and has never been anywhere by herself. Once in Iran, she finds herself in the company of poets and Persians, all who tell her stories that force her to confront her past; the Iranian father she assumed abandoned her and the nature of Poetry itself. It’s about building bridges between cultural and generational divides. It’s about being curious. Staying open. And finding your own voice through the magic of poetry. Rosie goes on an unwitting journey of forgiveness, reconciliation, and perhaps above all, understanding, through learning about her father’s past, her own cultural identity, and her responsibility to it.
A young woman attempts to deal with the death of her boyfriend while continuously confronted by his mentally unstable mother.
The physical and emotional trauma of three close-knit women trying to have children is explored.
Cracks are noticed in the ceiling of an aircraft. They widen & a large portion of the fuselage tears off & an emergency landing is attempted. Based on actual events.
A large black mole above an Asian woman's breast serves as a metaphor for cultural and racial difference in this engaging experimental film. Off-screen women's voices and scenes from THE WORLD OF SUZIE WONG parallel and counterpoint Sally's own interracial relationships and emerging self-awareness. A provocative and stylish meditation on Asian femininity.
A highly critical documentary about the history of Asian-American actresses in Hollywood. Features interviews with pioneering Asian-American actresses and clips from classic films such as "The Thief of Bagdad", "The Good Earth", and "The World of Suzie Wong", interspersed with Asian/feminist sociological commentary.
Despite its impressive history and reputation, the international trading company Struan's is in trouble. Overextended by the previous management, new tai-pan Ian Dunross has had to issue public stock to improve the company's financial standing. Even this, however, has not given him the capital he needs. As a result, he is courting a private investor, American billionaire Linc Bartlett. Bartlett decides secretly to back Dunross' arch enemy, Quillian Gornt, who will stop at nothing to destroy Struan's. When Dunross realises that Gornt is suddenly strong enough to ruin the Noble House, he must urgently forge new alliances or reshape ancient ones.
Joe Blade is an unclaimed TV pilot film. An American, Blade works in Hong Kong, the home of his adoptive father Chang Chin-tzu. When Chang Chin-tzu is killed and a wealthy man is kidnapped, Blade springs into action.
Nancy Kwan is a Hong Kong-born Eurasian-American actress, who played a pivotal role in the acceptance of actors of Asian ancestry in major Hollywood film roles. Widely praised for her beauty, Kwan was considered a sex symbol in the 1960s.
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