Donato, a scoundrel music manager, to escape the two henchmen of a boss who, due to his inefficiency, has caused him to lose a lot of money, taking advantage of a letter from his uncle the bishop, introduces himself to the parish priest of a village church, Don Dino, dressed as a priest, and pretends to have been sent there by the bishop as assistant parish priest. Don Dino's church is always empty. In fact, the town's faithful frequent the new church, run by Don Gabriele, a pimp priest who knows how to deal with people. Donato's arrival initially seems like the final blow for Don Dino's church: Donato doesn't know where to start a mass, he has never confessed or married anyone, the mere idea of performing an extreme unction scares him. Don Dino begins to argue with Donato: he seems anything but a priest. But little by little, Don Donato's extravagant ways, his open-mindedness as a "sinner", his mentality as a rock priest, begin to attract the faithful.
The docufilm tells the story of Paolo Villaggio's genius through the most iconic Italian character, accountant Ugo Fantozzi. The work was featured in the Classics section of the 74th Venice International Film Festival.
Fausto and Furio are two Romans with a precarious lifestyle. Fausto squanders his winnings while Furio lives thanks to small jobs. The death of their parents will make them meet because they inherit a repair shop. After some hesitation, the two, helped by an engineer with a mysterious past, will take the business over, but they will have to face a mafia boss who wants 200,000 euros, a debt matured by their fathers. The two will try to find a solution through clandestine races, drug trafficking, truck hijackings and the shared love for a fascinating bartender.