On the last days of his life, while succumbing to alcoholism in a hospital, famed writer Lima Barreto chronicles his trajectory story as a black, poor writer living in Brazilian society between monarchy's dying days and early years of republic with its countless social problems, which formed the basis of his many novels.
Raimundo, film producer, asks financial aid to his friend and producer J.C. to evaluate his own project. J.C. conditions his support to a change in Raimundo's style. Raimundo will have to make a movie aimed to the general audience and following the old producer's book: violence, sex, non-actors and slum. Raimundo does what he says, but an unexpected fact threatens the film's conclusion.
On the porch of a farm, a woman tells stories while cutting and sewing scraps of cloth, creating images that form a towel. There are four stories of humor and magic. The fisherman's wedding with Iara, a mermaid from the rivers. The altar boy of a church that sees the procession of souls. The encounter between a Santa Claus in a store and a street boy and the adventures of Zé Burraldo, a naive guy who always lets himself be carried away by others.
In São Paulo, in the late 1960s, the convent of the Dominican friars became a trench of resistance to the military dictatorship that governs Brazil. Moved by Christian ideals, frets Betto, Oswaldo, Fernando, Ivo and Tito came to support the guerrilla group Ação Libertadora Nacional, commanded by Carlos Marighella.
A small poor community called Javé is under threat of being flooded by a new dam that is being built, and the only way to prevent this is to prove the town's historical value. As most of the inhabitants are illiterate, they have no choice but to ask for the help of Antônio Biá, a man who has been ostracized ever since it was discovered that he had sent out letters with lies about their reputations as a way to keep his job in Javé's seldom-used post office. He now has the task of documenting people's memories of how the city was founded, yet each inhabitant has his or her own version of what happened.
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