A young architect embarking upon his first major project is unexpectedly brought face to face with dark secrets from his ancestral past.
Dirceu, 30 years old, has origins that go back to the aristocracy of Northeast Brazilian backlands. Settled in a kind of subjective amnesia, Dirceu tries to bury his family's past. He is a demolition man in Recife, an urban landscape undergoing an uncontrolled process of transformation. Maria shares the same country origins, but she uses the city for a different purpose. She is a carefree and joyful music student. If Dirceu aspires to a world that is stable and present, Maria lives in discord with the present. To her, nothing is as it should be. Maria's apparition unleashes in Dirceu an urge for being somebody else. On a route of escape through the desert of the backlands, a unique encounter is set to happen. Boa sorte, meu amor (Good luck, sweetheart) is an anti-romance of the impact between music and silence.
In São Paulo, in the late 1960s, the convent of the Dominican friars became a trench of resistance to the military dictatorship that governs Brazil. Moved by Christian ideals, frets Betto, Oswaldo, Fernando, Ivo and Tito came to support the guerrilla group Ação Libertadora Nacional, commanded by Carlos Marighella.
The hero without character is back. Here, two Macunaímas encounter with one mission in common which is to leave the place they're currently living: one is running away from the deforestation in the Amazon while the other got tired of living in heaven and wants to return to his land.
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