At the beginning of the 1960s, when the French pioneers of cinéma vérité set out to achieve a new realism, and when direct cinema in Québec began to vie for notice, the Baltics wit-nessed the birth of a generation of documentarists who favored a more romantic view of the world around them. This meditative documentary essay – from a Latvian writer and Lithuanian director whose composed touch has long dovetailed with the stylistically diverse works of the Baltic New Wave – pushes adroitly past the limits of the common his-toriographic investigation to create a portrait of less-clearly remembered filmmakers. The result is a consummate poetic treatment of the ontology of documentary creation. Also a cinematic poem about cinema poets.
Mark Soosaar (officially Mark-Toomas Soosaar; born January, 12 1946 in Viljandi) is an Estonian film director, cinematographer, screenwriter and politician. He has been member of X and XI Riigikogu. Soosaar graduated from the All-Union State Institute of Cinematography in 1970. He worked for Eesti Televisioon from 1970 until 1978 and Tallinnfilm from 1978 until in 1991 as a director and cinematographer before moving to Pärnu and founding his own film studio, Weiko Saawa Film. He is the director of Museum of New Art, as well the founder chairman of the Kihnu Cultural Institute . He is a member of Estonian Social Democratic Party.
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