The film generally deals with a fundamental feature in the Bahraini society, the (coexistence). For ages Bahrain has been known as a distinctive model for coexistence where its people live peaceful coexistence, despite their ethnic and creed differences. The film focuses on the emergence of the term sectarianism among Bahrainis from different creeds.
In Bahraini culture and traditions, the Good Omen is the act of hanging the "thobe al-nashal," a woman's traditional dress, usually reserved for important celebrations, over the roof of one's home as the joyous announcement of the return of a family member from travel, or a long absence.
Set during the Arab-Israeli war of 1967, this epic drama is both the personal story of a middle-class Bahraini family and an account of the hopes and faith the Arab world had in Jamal Abdul Nasser as its leader. Intimately told, it skillfully interweaves the personal and the general to reveal a society built on male domination and female sacrifice, as women attempt to enjoy freedom of choice.
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