In 1930s Paris, Madeleine, a pretty, young, penniless, and talentless actress, is accused of murdering a famous producer. Helped by her best friend, Pauline, a young, unemployed lawyer, she is acquitted on the grounds of self-defense. A new life of fame and success begins, until the truth comes out.
When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.
Sébastien Betbeder and his actors Thomas Blanchard and Thomas Scimeca gather to imagine the script for the the film they will shoot in a year's time at Kullorsuaq in Groenland - a sequel to Inupiluk.
Raymond is a very lonely peasant who lives so detached from the world that the peasants of the village nearby his family house consider him as dead for more than 30 years. None sees him but people know he is around and, as all secretly reproach themselves to not have helped the young Raymond after his all family death before he disappeared, they consider the family house as haunted by Raymond's ghost. When Frédéric, Caroline and their children come from the city to install themselves in the countryside, they know nothing about these villages tells and find in Raymond's family house a rare opportunity.
In a time and place indeterminate a bandit has kidnapped Rixo Lomadis Bron’s daughter. Bron is a wealthy landowner who reigns over the shepherds of the Purple Mountain. The time has come when Rixo Lomadis Bron accuses Manjas-Kebir of killing his daughter and urges all the country’s inhabitants to track down the assassin. It’s the time when Radovan Remila Stoï, the land’s greatest warrior, rises up against this foolhardy act which has every chance of leading to war...
Before he marries his current girlfriend, eccentric speech therapist Richard (Serge Bozon) asks his friend Raphael (Mods star Laurent Lacotte) to help him destroy photos kept by his ex-girlfriend, Mademoiselle Dornet, as a record of their relationship. Raphael in turn enlists an actor (Laurent Le Doyen) to pose as a Turkish doctor and convince Dornet that she must rid herself of the photos in order to cure her depression.
Eddie is dead, he remains his dog and an old acquaintance discussing their memories in the forest.
Algeria, 1903. Just after the trial of the insurgents in Margueritte, a village where seven Europeans were killed, Eugénia commits suicide despite the amorous passion that she feels for her husband, the French lawyer of these insurgents.
A film about an ongoing cinematic adventure that began in 1978: a vast anthology of personality portraits called Cinématons, dealing with people in the arts. Historical, ethnological, sociological and psychological, this anthology is a living record of the artistic community of the last 20th century which attempts to answer these questions: Why film everyone? Why choose cultural personalities? How do the subjects look at their image? How much exhibitionism and narcissism is involved in being filmed?
Samuel goes to Nice to pass the exam of the School of Fine Arts. He is accompanied by Nordine, uncultivated in art who takes some holidays.
Lucía Sánchez (1969) is a Spanish-born French actress. She started her acting career in 1996 with Une robe d'été (A Summer Dress) directed by François Ozon. She starred in Cache-cache directed by Yves Caumon with Bernard Blancan, Les Solitaires directed by Jean-Paul Civeyrac, Who killed Bambi directed by Gilles Marchand. In theater she worked with Renaud Cojo, Michel Dydim, Valérie Crunchant, Christophe Guichet, Laurence de la Fuente and others. Sanchez is also a film director. She has directed three short movies and two documentaries. Source: Article "Lucia Sanchez" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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