A spirit of optimism, structural change, emancipation: by showing excerpts from his films such as LIEBE, SO SCHÖN WIEBE (1971), SYLVIE (1973), IDOLE (1976) and AMORE (1978), Klaus Lemke tells his story of the decade, now half a century ago, that was so formative for Munich, with sentences such as: "Back then, we all thought life was eating out of our hands, then in the '80s we became fodder ourselves."
»I’d prefer to be the film myself than just the director«: with Klaus Lemke, the boundaries between life and screen are fluid. For more than 50 years he has made films on low budgets using amateur actors without a screenplay. His cinema is brutal and impulsive, every film a slap in the face for the staid productions of the mainstream. In Bad Boy Lemke, he brings unfinished projects to an end and reflects on his body of work – of course à la Lemke: radical, confusing and powerful.
On the run from her ex-lover, Judith hides in the toilet at the Munich Art Academy. In the basement. She wants to hijack the snobbish art scene with a scandal video.
In the 1970s, the Munich Group set about revolutionizing German film with low budgets and an excess of creativity. The Bungalow bar next to the Türkendolch theater was their meeting place, who were inspired by the French New Wave and New Hollywood. Munich Group star Iris Berben takes us on a journey back through time, a wild trip full of film clips and interviews with major figures of an unforgettable era.
An alternative history of the not-so-well-known West German genre cinema of the 1960s and 1970s.
Teenager Raphaela was born blind into a wealthy, material focused family. Her father escapes reality into an affair with his secretary while her mother reacts to the difficult situation in an over protective and possessive conduct towards her blind daughter.
Young Tina has a big dream, she wants to become a successful pop singer. That's why she tries her luck in the music show 'Formel Eins'. There she meets all kinds of stars like Falco, Meat Loaf, Die Toten Hosen and Pia Zadora and of course the presenter Ingolf Lück. The result is a colorful mix-up and the question arises as to whether Tina can make her dream come true.
By browsing this website, you accept our cookies policy.