Through the files of Cuban cinema news program Noticieros ICAIC Latinoamericanos, the documentary shows the most relevant events of the second half of the 20th century as seen by the documentary filmmakers of the island. During three decades and under the general direction of Santiago Álvarez, these moviemakers witnessed almost everything: from the shivers of the Cold War to Bola de Nieve's piano solos; from the discovery of the killing fields in Cambodia to the Carnation Revolution in Portugal. In 2009, the original negatives of Noticieros ICAIC Latinoamericanos were declared part of the "world memory" by UNESCO.
The Dutch documentary filmmaker Joris Ivens (1898-1989) received the honorary title 'Old friend of the Chinese people' from the Chinese communist regime. One of the reasons was the fact that in 1938 he gave the communists the camera that captured the first footage of Mao Zedong. Ivens made several films about China, notably the twelve-hour picture Hoe Yukong de bergen verzette (How Yukong Moved the Mountains), a tribute to Mao's Cultural Revolution, which China itself called a 'catastrophe' shortly after. Actor Jeroen Willems follows in Ivens' footsteps, in an attempt to understand why Ivens never reconsidered his positive coverage.
It is an autobiographical fiction starring Ivens as an old man who has spent his life trying to "tame the wind and harness the sea" by capturing them on film.
In a port city, a youth plays a computer game that determines the fate of a woman (whose interracial romance is threatened by white punks) and other residents.
The filmmaker Joris Ivens was the son of C.A.P. Ivens, owner of the CAPI photography shop in Nijmegen. With the help of his father’s employees, in the 1910s the young Joris Ivens made the short film De wigwam, with roles for his parents, brothers, and sisters. Ivens studied economics and photography. From the end of the 1920s, he was one of the vital figures in the world of Dutch avant-garde film. As a technical consultant, he was involved with the Filmliga, and made important avant-garde films like De brug and Regen. He also founded the film company Studio Joris Ivens, where young, enthusiastic filmmakers could find a home. The Studio was the cradle of experimental film in the early 1930s. Ivens developed into a political filmmaker, and with films like Borinage, Spanish Earth, and Indonesia Calling!, he grew into a leading documentary filmmaker.
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