Masculinity/Femininity is an experimental film project interrogating normative notions of gender, sexuality and performance. Shot primarily on Super 8, the project merges academic and creative critique -- a document of gender de-construction rather than a documentary about gender construction.
Expose into how the news story of a kiddie porn bust was fabricated / sensationalized / distorted by police officials, journalists and social workers to create the specter of a "province-wide child pornography ring"
The two central characters are breaking up. Moira flees to Paris; Stan goes up north with gay writer friend, Timothy. Moira returns and joins Stan and Timothy up north to sort things out. Roberta, Stan's old friend also arrives. The next 24 hours reveal the assortment of tensions, expectations, humour and discontents of four people experiencing the difficult transition to middle age. The four characters return to Toronto to resume their separate lives.
Luc Bourdon, Marc Paradis and Simon B. Robert are curators for a selection of Canadian video to be presented within the context of the 13th Montréal International Festival of New Cinema and Video. This tape relates their experiences and research which occurs during their journey across Canada. This document is less a documentation of the trip than a logical suite to the questions raised in a previous work, Scheme vidéo. Focusing on the displacement of the three curators, the tape reflects their perceptions through the random capture of images. With Paul Wong, Grant Poier, Nida Home Doherty, Jerry Kissel, John Greyson and Collin Campbell.
No Voice Over is a story of communication and affection, focusing on the close ties between three women artists as they correspond via audio and video tape as they travel to Italy, Brazil, and Texas. All three have an off screen working relationship with a producer called Dix-Ten. The tape details a series of visions or second-sight experiences that one woman has about the other. These events are disturbing and seem to contain some ominous portent, which remains unclear until the end of the tape, when it is revealed that the visions are in fact premonitions of one of the woman's death.
John Greyson is a Canadian director, writer, video artist, producer, and political activist, whose work frequently deals with gay themes. His outspoken persona, activism, and public image have also attracted international press and controversy.
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