True crime formats are a guarantor for success for TV channels, publishers and radio stations. Whether fiction or documentary, every serial killer has their own movie on streaming providers. An interest in crime is part of human nature. The question "Who did it?" keeps the audience hooked to their screens or headphones. Fear and thrills provide an endorphin rush. True crime fans put themselves in the shoes of the investigators and empathize with the victims. They try to learn to arm themselves for their own lives in order to better recognize real dangers. Where does the hype around true crime come from?
Fourteen-year-old Jeanne has lived in a farm commune since she was two years old. Her mother and father live in city communes and rarely visit. This is one of the commandments given by Otto, who rules the commune: children are to grow up without parents. Knowing nothing else, Jeanne enjoys her outdoor life, surrounded by lots of other children, until she falls in love with 16-year-old Jean and her childhood paradise begins to fall apart.
15 directors explore the question of whether the cinema is dying out as a location, an art form, and language.
With precisely articulated turns of phrase, Sibylle Berg - celebrated novelist, playwright and columnist known for her provocations and the sharpness of her comments - takes the film's two directors on an anecdotal and humorous foray through her eventful life.
Parallel love stories of three young women in Berlin: Hannah - an unhappy attorney who sexually demeans herself in order to get at least some love and romance, Leni who runs a coffee shop and has just been ditched by her long term boyfriend, and Vivienne who ends up falling in love with a puppy-eyed pasta designer with 21 dogs.
Helene Hegemann is a German writer, actress, singer/songwriter and film director. She is best known for "Axolotl Overkill", published in 2010. A book that put Helene on all the top chatshows and in the arts pages of every German newspapers. At the height of the furore, Hegemann was the focus of a campaign spearheaded by German literary giant Günter Grass to protect writers' intellectual copyright. Some critics went so far as to suggest the novel had been written by her father.
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