Jörn Donner’s entire production can be considered as a self-portrait, a life-spanning performance. Whilst others have painted one image or another of Donner, John Webster’s interpretation differs in that it pulls most of its material from Donner’s last-intended interview in December 2019, and an immense never-before-seen collection of photographs from albums simply labelled “Donner – Privat”. As a result, the film morphs into an epilogue of sorts, of Donner’s life story.
"The Undefeated Femininity" - a film about Gun Grut Bergman. In September 1949 Ingmar Bergman left his wife and five children, and escaped to Paris with a new woman, Gun Grut. It was the beginning of a passionate love affair, an enduring jealousy drama and a new theme in Bergman's films. Now their son, Ingmar Bergman Jr, walks in his parents' footsteps, from Paris to the home on Grev Turegatan 69 in Stockholm.
Harry Schein was an anomaly in Swedish cultural society. Equal parts playboy, intellectual, and political visionary, his life story could very well be the foundation of a Hollywood film. Citizen Schein is a film about a refugee who refused to look back, a film about powerful men, and the myths that fuel them.
With only the television for company, an elderly woman is living alone since her husband died several years previously. One day she discovers a boy who has been subjected to serious abuse, and the captivity she is living in is falling apart.
Betty, who dreams of love, refuses to put up with the rules and conventions of the time.
A scientist discovers what he believes to be a way of slowing down the aging process, and has started to administer the substance to select people.
An intimate portrait of director Mai Zetterling that includes interviews with Zetterling, David Hughes (Zetterling’s ex-husband and the cowriter of LOVING COUPLES, NIGHT GAMES, and THE GIRLS), and actors Harriet Andersson, Ingrid Thulin, and Bibi Andersson.
Harriet Andersson (born 14 February 1932, Stockholm) is a Swedish actress, known outside Sweden for being part of one of director Ingmar Bergman's stock company. She often played impulsive working class characters and quickly established a reputation on screen for her youthful, unpretentious, full-lipped sensuality. She disdains the use of makeup. Description above from the Wikipedia article Harriet Andersson, licensed under CC-BY-SA, full list of contributors on Wikipedia
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