The path of five bullets and the people they pass during a shootout in a square. Anyone can die.
"Master" is the name of a 12-story apartment building in Copacabana, Rio de Janeiro's neighborhood for nightlife. Over the course of four weeks in 2001, Eduardo Coutinho's film crew rented one of the 276 apartments and used it as home base to make a film about the building's residents. We get to know the building manager, who succeeded in turning the troubled residence into a family complex within just a few years. Using interviews and a few stolen moments in the corridors of the building, Coutinho explores this world. Most of the building's residents come from the lower middle class and are just getting by, but that's just about the only thing they have in common - so many people, so many stories, sometimes told in a self-confident tone, sometimes with averted eyes. The fact that a film crew is interested in their stories puzzles some of them. Hope, fear, dreams, memories, love and loneliness all appear from behind the doors of this average apartment building.
A movie about a Brazilian entrepreneur who rivalled American's richest man at his time, well-known Rockfeller. Irineu Evangelista de Souza in 1867 had $155.000 contos de reis, meanwhile the Brazilian Governement annual budget was 97.000 contos de reis. The movie shows his life from poverty to riches and back to poverty again, as is common in Brazil, rich people die poor.
Helena falls in love with Álvaro, but they have to fight Débora's obsession with him to stay together.
Monarchists and Republicans confront themselves in Araruna, a small town in the interior of São Paulo, in 1886, two years before the promulgation of the Golden Law. Sinhá Moça's love story, daughter of Colonel Ferreira, Baron de Araruna, and a slave-boy, with the young Dr. Rodolfo, an active Republican abolitionist, faced with the difficulties of the campaign for the abolition of slaves. The two meet on the train, when Sinhá Moça, after completing her studies in the provincial capital, returns to Araruna. Like Rodolfo, she has abolitionist ideas and criticizes her father's attitudes, fighting for the defense of blacks. Sinhá Moça, together with Rodolfo and other abolitionists, invade the slave quarters at night and liberate the blacks, giving them to the abolitionist associations, which guide them towards freedom.
Fernando José Ferreira Lopes (Ubaitaba, March 19, 1927 - Volta Redonda, October 14, 2014) was a Brazilian actor.
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