The contrasts between Marlen (Corinna Harfouch) and Fynn (newcomer Daniel Sträßer) couldn't be any more extreme if they tried: Marlen's apartment is packed to the rafters with objects too valuable or important to throw away, while Fynn plans to go through life with only 100 things in his possession. The fact that they can't keep their hands off each other and end up falling in love holds true to the old adage that opposites really do attract...
A rather regular state official, who works at the building authority, becomes a puppet of a few super rich. They want to make quite a lot of profit from a planned large-scale building project. Quicker than anticipated, the father-to-be gets surprised by a couple of amenities and notices that life isn’t too bad in the sphere of these semi-legal affairs. Soon, however, he has a prosecuting attorney on his tails and has to decide himself for a side.
Boxer is the king of the prison. Nothing happens without him in "his" prison, and if he has to, he will even knock out a much younger inmate - at over 80 years of age, mind you. However, his advanced age is increasingly taking its toll, which has not gone unnoticed by the prison doctor. Boxer is to be transferred to a prison especially for senior citizens - the idea alone makes the sprightly prison veteran shudder. But then his buddy Henne tells him that he has been looking for Boxer's great love Kathrin, and what's more: he has learned that Kathrin has a daughter - and she looks remarkably like Boxer...
Carlos Benede is in his thirties, single and helps minors cope with the after-effects of crime. Alexander is a strong-willed and precocious eleven-year-old, who witnesses the horrific death of his mother by his own father. Benede mentors Alexander and the two develop a bond. But when the trial of Alexander’s father is over, it’s time for the two to part. Alexander has been placed in the care of his aunt, but when she is no longer able, a new caregiver must be found. An unconventional counselor from the youth welfare office learns of Alexander’s trust in Benede, who himself grew up in a home, and reunites the two. Although not always easy, the relationship grows and deepens into one of father and son.
At Phoenixsee, an artificial lake in the southern part of Dortmunds, two worlds collide between modern apartments for the rich while the old-established working class is living just a few blocks away. The newly-rich Hansmann family just moved here from Düsseldorf while the Neuraths have been living in Dortmund for their whole life. As their children are attending the same school and play in the same soccer team, the families and their problems become entangled.
Franziska Dreyer and Sebastian Pauli are a happy couple. When one day the police arrest her boyfriend on suspicion of murder, Franziska assumes it's a mistake. But in a trial marked by circumstantial evidence, Sebastian is tried, convicted and sentenced to life. Franziska believes he's innocent and fights to get him released. This puzzles her parents and friends who advise her to cut all ties to him. Her reaction is to marry Sebastian in prison. Then Franziska discovers completely unknown sides to her husband and now doesn't know who or what to believe any more.
Sophie Brand is overwhelmed: as a single mother with two jobs no wonder. A mountain of unpaid traffic tickets takes her to the judge, who buzzes her 300 social hours in a home for the disabled. In addition, he puts her on his own brother: Georg, a dreaded patient in the home, who sits in a wheelchair since an accident and only bitterness for his environment left. But Sophie can not rausekeln. So it happens that something special develops out of initial antipathy: trust, friendship, love. The emotional tragicomedy knows how to implement a supposed taboo subject sensitively.
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