At the beginning was the Slovak television series Lekár umierajúceho czasu (Doctor of Dying Time), dedicated to the Rudolphine-era scientist Jan Jesenius. He ended up on the scaffold along with other gentlemen after losing the anti-Habsburg uprising. When director Miloslav Luther conceived the idea of making an abridged version of the footage for cinema, he had to not only rebuild the storyline but also dub it into Czech. However, the result was only an illustrative puzzle, describing the various stages of the hero's turbulent life.
Young prisoner Jan, nicknamed Roughboy (Petr Cepek), tries to commit suicide. He was imprisoned for a fight in which he injured a functionary of the National Committee and for stealing material but actually by the blame for this crime was pinned on him by the road-builders in whose group he worked. The prison doctor knows that Jan is an emotionally deprived person who never knew his parents and spent all his childhood - except one year with foster-parents - in orphanages, homes for youth and reform schools. He arranges a five-day holiday for Jan, who wants to find his mother's grave.
A psychological drama exploring the notion of the doctor as a moral authority, who within the framework of their everyday work must face questions of life and death. The film is adapted from a novel by Valja Stýblová, in which the author draws upon her personal experiences as a former neurosurgeon. The protagonist of this drama is an ageing professor, based at a Prague neurological clinic, who is haunted by issues concerning his own principles and values, and also by the case of a young patient, Víťa, afflicted with an inoperable tumour.
Based on the only extensive prose work by the surrealist painter Josef Capek, Shades of Fern most resembles the philosophical fairy tales and fables of Josef’s older brother, the legendary Czech novelist and playwright Karel Capek. Two young poachers, more boys than men, kill a gamekeeper when they are caught illegally hunting. Panicked, they retreat into a forest that grows steadily more forbidding and deadly as their fear for the future—and guilt over their action—mounts. Loosely based on hundreds of oral folk tales and legends that haunt the woods of Czechoslovakia, Vlácil’s contemporary updating artistically underscores the relationship between man and nature, crime and punishment, isolation and society, and guilt and memory.
Emma Černá (23 March 1937 – 2 July 2018) was a Czech stage, film and television actress. She is an actress, known for Adelheid (1970), Loners (2000) and Kolya (1996). Upon her graduation from the Academy of Performing Arts, Černá worked at the Theatre on the Balustrade and the Palmovka Theatre. She was also a guest at the Comedy Theatre in Prague and the Prague National Theatre. She has made appearances in almost fifty film or television roles. From Wikipedia, the free encyclopedia
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