From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.
Anna Hepp meets with renowned German director Edgar Reitz in one of Germany’s most famous cinemas: the Lichtburg in Essen. Reitz talks about his life, his view of art and his sometimes philosophical viewpoint.
For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness.
A study of Alexander Kluge that also emulates his technique of seeking and linking. Kluge reads aloud, Kluge recounts, including stories from his childhood and youth, from the bombing of Halberstadt, his home town. “What you don’t understand as a child you will contemplate for the rest of your life.” Kluge does this as the author of films, books, TV programs. He has always had several professions at once. He is a legal advisor, director, author, founder of the television production company DCTP, and person in charge of its culture magazines. But if you think that these are all different jobs, you’re mistaken.
A meditation on the first 100 years of German cinema, featuring an assembly of German filmmakers.
Edgar Reitz is a German film director and writer, best known for his "Heimat" trilogy.
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