Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.
Nicaragua, today. Eleven-year-old María lives with her mother Lilibeth on the edge of an immense rubbish dump. Their future depends on selling a litter of purebred puppies to a local gang member. When the deal falls through, Lilibeth has to move to the outskirts of the city and leave María to work at a recycling factory. The days go by with no sign of her mother's return. María feels abandoned, confused and angry. One night she meets Tadeo, a kind and romantic boy determined to help her find her mother.
The dog in the neighboring house won't stop barking. Emilio and Susana cannot sleep. Nor can they stop fighting. The barking of both the dog and the couple will lead to the breakup and Emilio wrongly dump his anger, insecurity and sadness. Feeling great guilt, he must face himself and an unsuspected decision.
A fateful day reunites an estranged family in Mexico City, where a chain of events shifts their romantic relationships and uncovers a monumental secret.
Arcelia is a single mother. She's feed up of being alone and feels a deep need to be loved. Starts relationships, explores knowing people online, and looks for partners of the past. Nothing works. Relationships are ephemereal, men leave. A question arises inside Arcelia: Is her little son the main obstacle to her happiness?
Sporadically employed and still living with his successful neurosurgeon mother, Joel finds his only joy in falconry in the flatlands outside Mexico City, until an encounter with a down-to-earth secretary forces him to face reality.
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