A great mosaic, a labyrinth of scenes, dialogue splinters, interviews, portraits of people surrounding Hamlet and wanting to be part of his story.
The crook couple Peter and Gwen have run away from Germany and are dreaming of a sweet life on Mallorca. During a break-in at the villa of multimillionaire Walter Ekland, Peter discovers by chance that the old man is using a detective agency to find his son, who was given up for adoption years ago. Ekland has never seen his supposed last family member and heir and therefore does not know that he has long since died. Peter sees the great opportunity of a lifetime. He assumes the identity of the lost son in order to get his hands on the big money. But the unscrupulous Decker, a private detective who was tasked with finding Ekland's real son, discovers the fraud and blackmails Gwen and Peter...
A scary serial killer is around: he cuts off young women's tongues. Commissioner Michelle Eisner notes striking similarities between the three victims so far: They were customers of the "loverboys". Behind this is a callboy ring, which also includes the attractive and inscrutable Lanou. Michelle reluctantly accepts the help of the experienced police psychologist Busch to clarify the case. He is a master at thinking his way into the psyche of the perpetrator. The main suspect for him is call boy Lanou. This suspicion is supported by the tabloid reporter Eva Hellmann, who is also researching the series of murders. While Michelle's environment became more and more vehement on LanousIf arrest is urgent, she is less and less able to evade his erotic charisma.
Thomas Krömer follows the traces of a brutal murder in werewolf-manner out of personal interest. After investigating for some time, the traces all point to one person: himself. Now, he has to find out whether he surprisingly turns into a blood-seeking werewolf at full moon without knowing it or if there is an other solution to the murders. Police are getting pretty suspicious after Thomas' own grandmother has been brutally slaughtered in her little fairy-tale-fashioned house in the woods, and it will soon be time for a full moon...
In a fictitious show, candidates attack each other with knives and fight, and in the end the presenter (Burkard Driest) is stabbed to death. Like Das Millionenspiel 25 years earlier, the Private Life Show criticized the increasingly drastic broadcasting formats on commercial television.
This 1987 documentary is the only window into an experimental open-air penal colony in the Peruvian Amazon, which no camera has ever entered and has been rarely written about.
Seduced by the country, in which German director Dieter Schidor saw a decadent tropical charm, he brought together a varied group of people and involved them in the production.
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