The Genre follows the rehearsals for a theatre play by an independent company in the Soviet Union, in 1991.
The remake of the original 1939 "Tractor Drivers"... Same heroes, but totally different times.
After a ten year long stay in West Germany, Max returns to the Soviet Union to visit his deadly ill father in Leningrad. There he finds a friend in a man who calls himself Igor and he begins a love-affair with the deafmute Lena. Around Max' relationship to his father, Igor and Lena, losely held episodes give a many fasetted portrait of Leningrad and its inhabitants. In the eyes of the returning Max, the city is at once well-known and foreign. Lyrically saturated images and sophisticated editing contributes to making the film an expressive description of a changing city.
Anthology film in two parts based on Ray Bradbery's stories "The Black Ferris" and "The Scythe".
Aquarium Fish of This World is the story of the relationship between the captain and the boatswain, temporarily written off ashore, with a young guy who dreams of becoming a cabin boy.
Boris Yurievich Yukhananov (Russian: Борис Юрьевич Юхананов; born 30 September 1957; Moscow) is a Russian director of theatre, video, cinema and TV, a theatre educator and theorist. He is currently the Artistic Director of the Stanislavsky Electrotheatre, Moscow. He was a pioneering figure in Russia’s underground art movement in the 1980s and 1990s and was one of the founders of the Soviet Parallel Cinema movement, which provided an alternative cinema to that which was produced by the state. His recent major works include a radical interpretation of Maurice Maeterlinck’s The Blue Bird, the opera serial Drillalians and the two-part The Constant Principle. Founder of the new processualism movement, a methodology and artistic strategy that posits theatre as the focal point of all forms of art involving every aspect of time, whether it be cinema, a musical concert or performance art.
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