Swedish murder investigator Sven Hjerson forms an unexpected detective duo with stubborn TV producer Klara after several years of isolation. Will she also manage to recruit him for her new TV show?
In 1971, due to the world premiere of Death in Venice, Italian director Lucino Visconti proclaimed his Tadzio as the world’s most beautiful boy. A shadow that today, 50 years later, weighs Björn Andrésen’s life.
Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.
The Hotel is the last part of a trilogy about travelling. The first two were The Atlantic (Atlanten, 1995) and The Lighthouse (Fyren, 2000). The hotel is a different kind of home. It can be a refuge, cul-de-sac, castle, nightmare, creative space...The first hotel was created as protection against the elements. Weary travellers could find shelter and rest. But it was also a place for legends and anecdotes.
Louise and Kasper want to become parents, but Louise cannot have children. She seals a pact with her Romanian maid, Elena, to bear her child, but things don't turn out quite as planned...
Wanting to know the ways of people, a pelican turns into a gawky young man who soon learns to speak, thanks to his outstanding talent in imitation. He befriends Emil and Elsa, two children who--unlike adults--see that their new neighbor "Mr Berd" is not human but a big bird wearing a suit. The Pelican Man lands a job at the opera and falls in love with a pretty ballerina, looking so much like a bird herself. Troubles start when adults too find out about "Mr Berd's" ornithological origin.
Lucifer Sensommer Gult og Sort is a Norwegian drama film from 1990 with Björn Andrésen and Annie Krogstad in the lead roles. Directed and screenplay is by Roar Skolmen . Set in late summer along the southern Norwegian coast . A blond Swede goes ashore from a small boat , and joins a handsome Norwegian teenage girl, very young and alluring . The Swede will eventually skip all common sense because of her erotic games . Lucifer was consistently met with bad reviews . VG reviewer slaughtered film and gave the dice one stating " Lucifer Sensommer Gult og Sort is a horrible film . Freezing humorless , ridiculous and pretentious , pompous slimy , kitsch far above the breaking point. A palpable and malignant pedophile tendency does that in addition becomes incredibly angry . "
Whatever became of the actor director Luchino Visconti famously cast as young Tadzio in "Death in Venice"? Documentary filmmaker Etienne Faure goes looking in this short film first presented at Cannes.
When the war breaks out, Annika lives with her parents in Värmland, close to the border to Norway. Her cousin Harald is a dealer in the black market but has to escape from the police to Norway. Annika moves to Stockholm and gets a job as a waitress. She meets the happy-go-lucky Berit and together they have a wonderful time. She also meets a young man, Bengt, whom she marries. But almost immediately she discovers that her husband is different from the man who was courting her. Plot by Mattias Thuresson.
On a hot August day, Harry Friberg gets an urgent assignment: to photograph United Air's shining new floatplane at the Lindarängen air harbor in Stockholm. The evening's crayfish party to celebrate the acquisition turns out uniquely unpleasant - and when the manger totals his car, and the chief pilot crashes into the sea after take-off, Harry realizes that a horrible crime has been committed, and it's time to call police commissioner Vesper Johnson.
Björn Johan Andrésen (born 26 January 1955, in Stockholm, Sweden) is a Swedish actor and musician. He is best known for playing the fourteen-year-old Tadzio in Luchino Visconti's 1971 film adaptation of the Thomas Mann novella Death in Venice. Andrésen had only appeared in one film, En kärlekshistoria (1970) at the time he was cast in Death in Venice, which gained him international recognition. While the film performed relatively poorly at the box office, Andrésen was noted for his performance as Tadzio, the beautiful young Polish boy with whom the film's older protagonist Gustav von Aschenbach becomes obsessed. Film historian Lawrence J. Quirk commented in his study The Great Romantic Films (1974) that some shots of Andrésen "could be extracted from the frame and hung on the walls of the Louvre or the Vatican". Rumors circulated in America at the time of the film's release as to whether or not Andrésen was homosexual (as the role demanded that he appear to exchange romantic glances with the protagonist, and on another occasion, be kissed and caressed by another teenage boy). Andrésen emphatically denied these, and later recounted his discomfort at being forced by director Luchino Visconti during filming to visit a gay bar, where he attracted the attention of a number of older men. Eager to dispel the rumors regarding his sexuality and to shed his "pretty boy" image, Andrésen thereafter avoided homosexual roles and parts which he felt would play off of his good looks, and was angry when feminist writer Germaine Greer used a photograph of him on the cover of her book The Beautiful Boy (2003) without first obtaining his personal permission. Although Greer did consult photographer David Bailey (who owned the copyright for the image) before publishing the book, Andrésen maintained that it is common practice when a party uses an image of a person which has been copyrighted by a different individual to inform the individual and that he would not have given his consent for Greer to use his picture if she had informed him of her plans. Andrésen has also appeared in several other films.These include Pelikaanimies (2004), Kojan (1992) and Smugglarkungen (1985).
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