Suraj secretly marries village belle Shalu against his domineering mother Kamla's wishes. In a bid to get rid of Shalu, Kamla frames her and accuses her of stealing jewellery and money.
Muqaddar ka Faisla, is the story of Pandit Krishna Kant. A poor, but extremely honest, upright, God-fearing man, who refuses to compromise on his principles.
Amar G. Kapoor is an unemployed but talented youth who was born in Lahore, and is the grandson of renowned Lala Kedarnath. He re-locates to Delhi in search of employment as a singer/dancer, meets with Sangeeta, whose mom, Rukmini, owns and runs a post hotel, gets a job there, falls in love with Sangeeta, and much to the chagrin of Rukmini, both get married, and soon become parents of twins, Kiran and Jyoti. The marriage does not last long as minor issues bludgeon, leading to accusations that Amar is having an affair with the daughter of the hotel chef
Garage Mechanic Rajkumar lives a middle-classed lifestyle in Bombay along with widower father, Shantidas. One day he is informed that his father has been arrested for robbing a jeweler. He goes to visit his father and finds that he has been hospitalized in Nanavati Hospital. The doctor informs him that chances of recovery are good.
Karim Khan is employed as driver for a gangster named Don, who has an accident with his car, and asks Karim to take the blame for it for a hefty sum of cash, which Karim does so, and is imprisoned. But Don does not fulfill his promise, and as a result, Karim's wife, Razia, and new-born son are left destitute. Razia complains to Police Inspector Anwar, who arrests Don and holds him in prison, pending his trial in court. When Anwar finds out that his new-born son, Iqbal, is in need of a pace-maker, which he is unable to afford, he makes a compromise with Don, who lets him have one. Iqbal undergoes surgery and a pace-maker number 786, considered lucky in Islamic faith, is attached to his tiny heart.
In order to assist her close friend, Rajni Thakur, Geeta Choudhary, has an abortion in her name, so that Rajni can get married. When her secret gets leaked out, Geeta's husband, Ashok, blames her, accuses her of being unfaithful, and drives her out of his house. They have twins, Sunil and Anil, and each parent is allowed custody of one child. The children meet each other at Scout camp, and decide to re-unite their parents, without realizing that they are exposing not only them, but also each other, to danger and death.
Vishal and Jyoti come from different backgrounds, but fall in love, and in spite of oppositions from both the couples' sides, are married. After marriage, they settle down to some wedded bliss, but misunderstandings create problems. These problems persist even when Jyoti gives birth to healthy baby boy, Lucky (Master Lucky). Jyoti and Vishal also own a former winning racehorse, and Vishal is a jockey, who used to ride him. Due to failing health, Vishal has been advised by his doctor not to ride anymore. Lucky grows up and his parents separate, and Lucky lives with his dad. He is brought up to think that his mom has passed away. So when Jyoti re-enters his life, she is introduced to him as "aunty". Will Lucky ever come to know of his real mother? Will Vishal ever to able to ride again? Will Jyoti and Vishal patch up their differences in the interest of their son?
Ravidas lives in a village in rural India. He is the son of Chediram who is of highly respected in the village. Ravidas falls in love with Jyoti. Their love becomes known in the village. Because of differences of caste, the villagers are opposed to Ravidas marrying Jyoti. Chediram commits suicide due to the shame his son has brought upon him. Ravidas is a gifted poet, but he cannot fulfill his dream of being recognized as a great poet, his poems being published and shown to the world, because he lives in a village.
When Sanjay learns that his sister, Aarti, has been raped by her employer, Jolly, he furiously attempts to kill him. However, when Sanjay gets killed in the process, Aarti exacts revenge on Jolly.
Raghvendra ,Sunil,Vilas ,Jayanta and Rocky are students of an art and literature college but have a bad reputation in the campus.Raghvendra is a short tempered guy and will do anything for success.he along with other friends decides to kidnap their friend Jayanta and extort money from his his father but he is killed by the group after his father takes help of cops.Sunil repents of being part of this crime and wants to surrender.But the gang doe snot stop and start committing robberies and kill people who witness their crime.Raghvendra feels Sunil's fear will lend them into trouble and kills him,Vilas feels that Raghvendra has become a maniac an can to to any extent and decides to testify against him.
Bindu had early successes with Ittefaq and Do Raaste in 1969. From here she went on to write her success story with Shakti Samanta's Kati Patang (1970), where she had a sizzling cabaret dance, "Mera Naam Shabnam" to her credit; a number which is even today remembered as one of the highlights of the film. Bindu's mesmerising performances in 1974 as a seductress in Imtihan, and as a nymphomaniac in Hawas, left audiences asking for more. With a string of hits behind her, she successfully managed to break out of the myth that married actresses usually do not go to become sex symbols, especially in the Hindi film industry. She is the third point in the 'holy trinity' of item number queens. Along with Helen and Aruna Irani, Bindu defined the Bollywood 'cabaret' dance number and the role of the 'Vamp'. Her acting ability was seen in films like Hrishikesh Mukherjee's films Arjun Pandit and Abhimaan, where she won raves for playing a very sympathetic character. She proved to be just as convincing as the crippled woman in Chaitali and as the deglamorised role of wife to Ashok Kumar, in Arjun Pandit. She played the villain's moll in Zanjeer and became famous as Mona Darling. An impending pregnancy, followed by a miscarriage, brought about a lull in her career and on the advice of her doctors she had to end her stint as the glamorous 'vamp' – dancing and all. However, she did not stay away for long and returned to the silver screen with character roles – Hero, Biwi Ho To Aisi and Kishen Kanhaiya and with many other such movies she managed to re-establish herself as the unmerciful and cruel mother-in-law, or the cynical aunt. In the later stages of her career, she made fewer on-screen appearances, like the ones in Shola Aur Shabnam, which highlighted her comic side, and followed with other light and funny performances in Hum Aapke Hain Koun..!, Main Hoon Na, and Om Shanti Om.
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