Bilal: Live at Glasshaus is a tribute to Bilal’s extraordinary vocal and musical range, as well as his status as one of the most unsung innovators in contemporary music. This film places Bilal in his enviable context as ‘your favorite artist’s favorite artist,’ with a narrative shaped by the voices of Questlove, Common and Glasper, who have witnessed his genius first hand for over two decades.
Redemption, violence, and faith define a young black man, a reckless white nationalist, and a pair of traveling vacationers during a random encounter within northern Idaho.
Inspired by some of the greatest musical recordings and performances 'behind bars', Young imagines a time and place where jails and prisons are no longer filled with bodies but are ruins of a time of isolation, pain and absence. A film about our collective redemption. About second chances, forgiving mistakes, rehabilitation, love and exoneration.
Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".
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