Four actresses from Japan move to South Korea to audition and act alongside Korean actors for roles in a series of love stories. Will true romance follow?
A man killed himself. Due to his death, three of his former classmates from art school, reunite for the first time in a long while. These three people have connections to the man in different ways, including his ex-girlfriend, the manager of a rugby club where the man played, and his ex-boyfriend. While struggling with their own lives, these three people begin to meet and have meals together.
Sakamoto Chika, who works for a real estate company in Kagoshima, is having a hard time growing at work and is unable to respond to the proposal from her boyfriend. One day, Tsumura Kojiro comes to the real estate company looking for a house. Kojiro says he has no connection to Kagoshima. Tomoka is excited and introduces him to an apartment with a view of Mount Sakurajima, which is her top recommendation. However, Kojiro suddenly says, "I want a house where I can't see Sakurajima."
Mano Hideko is a former judge who left Tokyo after getting tired of judging people. She traveled 120km south to an island called Oshima. There, she met Komiyama Nagisa, a young girl who was born and raised on the island. For some reason, Hideko decided to help Nagisa at her izakaya "Kazemachiya", which was passed down from her grandfather. Hideko then begins her "second life" as she meets many customers who have various troubles in their lives.
A group of high school students are forced into a game where they are hypnotized to commit suicide on an unknown command. Where no one is safe from a sudden death, how can they avoid their fates?
The whole play stands or falls on the fact that the leading actress cries off the cuff. Too bad Ayano can't do that.
Nitobe and Sakamoto are childhood friends who now work at the front desk of a capsule hotel. Nitobe has a particular fondness for philosophy and crustaceans. Sakamoto, meanwhile, is fixated on suicide. The capsule hotel draws a variety of guests, including a Finnish mother who has lost her child, a fugitive woman, and a researcher studying Daphnia. None of their lives ever intersect. They exist, but never cross, like cells in a capsule hotel. The themes of life and death are explored through a fragmentary view of the characters’ lives.
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