The story of the film revolves around Shaan, who, after passing the Bangladesh Civil Service examinations, joins the police force to serve the nation. He is an honest and courageous police officer.
After falling in love with an extremely idealist youth Tajul, Shanu ignored her luxurious life and left her home town, leaving behind just a short note with her new address. Shimul, after a long time, could manage to find Shanu out in a corner of an old township with cue of that note wherein he invents a new proletarian Shanu Wherein Shanu and Tajul are giving their everything, every breath and working really hard to run the family in a conscientious way. We cannot see those struggling breath with bare eyes. We, probably, can elucidate these struggling breaths as precious love of life. The name of the prehistoric story of this breath is “Myth of Love”.
Tiger works on ship building on the opposite side of Sadarghat. The identity of street child Tiger is that he lives in the passenger camps, boats, ships and warehouses of Sadarghat, so the old Sadarghat is his home. He usually walks on both sides of the ghat and a beautiful girl named Laili lives here. Tiger falls in love with Laili later, and Laili rejects him. Since then, Tiger has not left Laili behind. Laili gets annoyed with Tiger's pain. Thus, the story of Tiger in Sadarghat in begins.
Backspace is a Bangladeshi television fiction written by Mehrab Zahid and created by Uday Bangali, which aired on Channel 9.
During Bangladesh's Liberation War against Pakistan in 1971, in a remote village Rabeya and Rokeya, two orphaned young sisters, live in the religiously conservative household of their uncle Emdad Kazi, a rich kulak and a local Muslim League leader.
Poor oil miller decides to use his daughter-in-law to spin the treadle due to lack of ox.
Intertwined story of a group of friends living together and their romantic complications.
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