The life of the epoch-making master of martial arts cinema, King Hu.
A seven-part anthology film exploring the history of Hong Kong from the 1940s to present day.
One of Hong Kong's most influential filmmakers, Ann Hui, becomes a “star” for the first time in Man Lim-chung's directorial debut. A forerunner of the New Wave, Hui’s tumultuous, forty-year career is an unequivocal testimony to her unyielding dedication to filmmaking, and her expedition into the metamorphic city. This biopic probes into the acclaimed director’s idiosyncratic world, where we witness her rashness and goofiness, as well as her humanistic concerns for the everyday nobodies which make her films so moving.
Set in Hong Kong in 1967 — a time of complex politics when it was still a British colony — No. 7 Cherry Lane revolves around a love triangle between a university student, a single mother and her teenage daughter.
A young man travels from his hometown to Hengdian, the place where the country's biggest movies are filmed. Like many others, his dream is to become a movie star. However, the life of an actor proves to be very harsh, and only a select few will ever be anything more than extras.
Documentary on the ups and downs of the female writer Xiao Hong's life experience, her works, her love and the golden era she lived in.
Ann Hui On-wah (born 23 May 1947 to a Chinese father and a Japanese mother) is a Hong Kong film director, film producer and occasional screenwriter, one of the most critically acclaimed amongst the Hong Kong New Wave.
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